My poetry | |||
That being said, please enjoy my attempts at both poetry and, more indirectly, wisdom. Poetry pages:
Contents:
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but now, just today!began 2004 0927 | |
  Every so often you'll be in just the right place and thinking about just the right thing, and enlightenment will come and smack you on the head. |
Plastic Beast
began 2004 0804
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(This is slightly satirical and, gleefully, I would like to apologize in advance)
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the road less believed inbegan 2004 0803 | |
  This was originally meant to be a sort of grim encouragement for someone in particular (in something the same way as the poem I wrote for Kitty, though that one is somewhat lighter in tone). But despite the gender pronouns used, I'd like to expand it's dedication to include Ely as well, and anyone else who could use a grimmacingly hopeful strength to face the future despite what are to them apparent and deep, deep weaknesses in themselves, others, and/or the world. Change the speaker and listener around in any way that you need to; they weren't meant to be concrete. Poetry seems to be my gift, so it is my sincere hope that it can be helpful to others. |
Bear me?began 2004 0322 | |
  For Laine. May your lowest points be bearable. (I tend to be something of a bleak realist, and so when I write poems of encouragement for people, they tend to sound like this. That is, I strive to acknowledge the hurt and look for strength to deal with it, not smile falsely with some bouncy, rhyming piece.) |
Mars for Martians and Crickets!began 2003 0826 | |
  Relationships when they change. When you're not sure if they were meant to happen. When you didn't know how to make them happen, anyway, and it hurts, but only just a little. Just enough that you turn your bike around and pedal back a ways, so that you can ride past a certain spot again, one that you've just noticed smells, impossibly, exactly like her hair. |
Eyes Like The Moviesbegan 2003 0811 | |
  Relationships for doubtful folks. The first half is more rant than poem, really, but I think it sets the stage well for just how impressed the speaker was in the second half. |
The Tentative Love Song That An Eagle Singsbegan 2003 0721 | |
  Relationships for quiet folks. |
Try, Fly and Tumblingbegan 2003 0428 | |
  While originally mused from Small Feathers, the theme sorta diverged from Yuki's, as my themes are wont to do. And no, the message isn't terribly deep. But if you ask me, the read-aloud-ability is quite waiful. Which is good, considering that's what I wrote it for. ^___^; Sorry 'bout the <pre> tags. Only way I could keep the proper formatting. ^^; Posted to the MT forums. |
Me In The Eyeswritten 2003 0223 4:38 am | |
  To the tune of MegaTokyo #375. Not posted anywhere but here. Unsure why it's in the shape it's in. |
Light and Babelbegan 2003 0128 | |
  Sorta my narrative impressions of this Megatokyo drawing, heavily informed by my own feelings at that moment. I tried to hold to the themes of the character in the picture, Erika, but we don't exactly know much about her themes. And I have a very stubborn muse besides, so I have no idea how well the poem actually fits. Written in less than an hour, mostly because my muse was feeling left out of the MT poetic community, underutilized and terribly, terribly inspired to do something, ANYTHING. The structure was influenced by a generic tune extrapolated from several Moody Blues CDs I'd recently borrowed from my dad's collection. So blame their songs, maybe one of the ones on "In Search of the Lost Chord". Major credit for inspiration is owed to Shoka's Lost Wings, though I won't pretend to have matched the quailty of his verse. Used to start a thread on the MT forums. Excellent verse from other poets followed, and the thread is well worth the read. |
Snowflake and Tale
began 2002 1206
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  A girl waiting for something that will never come, and an artist drawing something he can't help. To be read to the tune of this picture. One of my most miserable poems ever, it was ironically a lot of fun to write. The first draft came out really quickly. Thanks muchly to several editors, _Quinn, Garran, and a few in Real Life. Posted to the Megatokyo forums as part of a series of Sad Girl in Snow poems. I just re-read some of the other poems in that thread after I found the link to it, and I'll be darned if they aren't better than this one, especially the poem that Garran used to start everything off. So go read. |
Simple Thingsbegan 2002 1128 (Thanksgiving) | |
  I had dinner at Chad's house that year. We had fun. |
Shake Thy Most Delightful Tushbegan 2002 1114 | |
  Ok, so what the heck is this, and what was I smoking when I wrote it? Well if you didn't notice, it's actually a parody of All around the mulberry bush... I wrote it for a silly poetry thread on the Megatokyo Forums. So what if there are only 4 verses in the original? Playing VNV Nation at volume level "17" makes for a wonderful muse. I got carried away, and started writing far too seriously. ...I prolly could have kept going too... ph33r So why is it on the main works page instead of the (still nonexistant) "Filks" page? Because I'm rather fond of the serious imagery and wordplay used, and I think it stands on it's own, apart from the song I was technically parodying. It's not like I was still singing it to the same tune when I got down to the third or fourth stanza. Finally, yes folks, this is as risque as my poems tend to get. I blame smurd, in three parts |
Silent Citybegan 2002 1105 | |
  This was written after a very unique night. I'd gone to an open mic at the local coffeeshop for a several weeks in a row, and managed to gain some recognition as a poet there, besides. After this particular open mic was done, however, I ended up in a bar with several of the coffeeshop's employees and regulars. Understand, now, that I don't drink, I'm damn shy, I'm never in bars, I'm rarely in contact with the kind of people I was in the bar with, and that I am almost never risque, certainly not among new aquaintances, anyway. Some people might've been put off by a night like what I had. I enjoyed it immensely, simply because it was just so different from what I was used to. Don't get me wrong, I sat there like a deer in headlights for most of the time. No drinking, no smoking, and no getting high (which I suppose I sort-of imply in the poem itself, and which, I imagine, I had the opportunity to do). Heck, I probably freaked out most of the people I went there with, simply 'cause I'm so quiet. But the fact remains that I enjoyed myself, as the poem clearly shows. I really like the odd verse and rhyme patterns. It's the first time I'd really, seriously played with something different from my usual matched pairs of lines. Other than a couple of live readings, and maybe showing it to one or two people, this has not been posted or displayed anywhere. However, if you've ever read or heard me read this poem, take note of the third stanza, as you've not heard it before. It was a discarded verse that I pulled from the dregs of the poem's text file and found a place for when I was preparing it for the web. |
Sometimes Stillbegan 2002 0823 | |
  A fairly straightforward response to this Megatokyo comic. I tend to say "and her heart still wears its..." when I read this publicly, as it's just easier to not have to explain exactly what the poem was written about, nor why I was writing from a girl's perspective. Posted to a daily haiku thread on the MT boards. |
A Roadside Monumentbegan 2002 0823 | |
  In January or February of 2002, a high-school kid was rounding this one particular curve that's near my house. It's a pathetic curve, really; we take it at 45 or 50 all the time, no matter that, in the eastbound direction (which goes along the inside of the curve) the sign actually warns "Curve: 40 MPH". This particular day, this particular kid was driving along the curve westbound when someone T-boned him while trying to go eastbound and failing because of the ice. He was killed on impact; the eastbound car hit the driver's-side door. So one crappy, overcast day that August I'm driving home, westbound on the same curve, and there's this high-school jock standing there in the pissing rain, just staring at the sign as though he'd been dropped into a much wider world than his high school and was wishing dearly he could go back. I had to write it. In fact, I already had a good portion down in my head by the time I pulled in the driveway. My first serious attempt at free verse. Considering that, I'm actually pretty happy with it. It has been seen by exactly no-one--save for _Quinn, who is a damn good free-verse poet--before this. The following is a somewhat cynical side note on the execution of the mechanics that could very well detract from the poem itself. Proceed with caution I tried to base the language and thought processes as best I could on how I'd heard jocks talking before I'd graduated. The protagonist blames someone, rhetorically admits his mutual guilt, establishes conditions alleviating his guilt, establishes his case against the person he's blaming, and then uses emotional appeals to try and strengthen his argument. (It's not like I was actually thinking all that, I was writing mostly from gut instinct; but that's what it amounts to. Note that in this case the jock is actually right, regardless of the fact that I'm grimly and/or smugly amused by his thought process for some reason.) In fact, the first two thirds are potentially the most out-of character part of the poem, everything before "That IDIOT!". Honestly, I never really knew many jocks very well, so it's possible that they, or at least some, do think like this. I may never know. That's the explanation I'll take, anyway; and that it was a poetic sort of day to begin with. |
Genki Delusions: Kotone's Songbegan 2002 0524 | |
"Genki" is Japanese for "energetic, healthy or full of life".
  To be read to the tune of this picture. Or rather, that's the picture I was looking at when I wrote it. But to me it's basically about what it's like to have a job and precious little else. And quite possibly to be utterly terrified by your job, as well. A big arigato to Tanetris (who also helped with Lean Too) for editing help. Without his suggestions only the first three stanzas would exist, and poor Kotone would still crying in bed at the end of the poem. Also, I'd like to thank the crossword solver that's built into my PDA's spell-checker. Without the ability to search for "*ay" and "*ey", all that rhyming would've been utterly impossible. My friend had this to say about the poem, and I thought it was so awesome that it's been archived here: When it was posted to the Megatokyo Forums it received several damn good verses response, so the thread is well worth seeing. Also archived on Negatokyo.com. |
a logic gated heart
began 2002 0519
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Science fiction poetry. A lonely girl muses over the sleeping form of one of her few companions, a young, female robot. Inspired mostly by MegaTokyo comics #260 and #261, but also drawing from my own opinions and emotions with regard to digital life. Not even Artificial Intelligence, nessecarily, but the kind of digital life you only see in IM windows. Why the hell is it so much easier to make friends online? The ABCABC pattern was *hard* to do, but I think it turned out quite well, after I completely gutted and rewrote the last verse... It was a fun form to write in, too. ^^; This poem (with the old last stanza intact. Ugh) was posted to the MegaTokyo Forums, and is apparently *not* in The NegaTokyo Poetry Archive (I'm gonna have to thwack _Quinn about that). |
Quiet Girlbegan 2002 0415 | |
  Written directly from this Megatokyo comic. I'd be curious to know if anyone reads about themselves in the piece instead, or about someone they know, or anything else besides the comic. Was posted to the Megatokyo Forums. Not anywhere else, though, as far as I know, except maybe Adam's message board once. |
lean toobegan 2002 0329 | |
  To be read to the tune of this picture Thanks to Tanetris, (formerly) of the MT boards, for editing help. Posted in one of MT's per-comic haiku threads, this poem didn't even get it's own thread. I still like it enough, though, that it manages to dodge the "Other Works" page. The theme should be pretty obvious, and nothing's been secretly taken from inside me either (save perhaps for the want of someone to watch my back like that), so I won't say anything else. |
Fallen Angelbegan 2002 0315 | |
  Have you guessed, yet, that I sympathize a lot with sad situations? Have you also guessed, yet, that I love the incredible moments and feeling that Piro over at Megatokyo can produce? Hopefully you have. This poem is pretty much a throwaway piece, but I really like the way the words fall over each other in second through fourth stanzas; that's why it's not in the "Other works" section. Not much of me inside it save for the above-mentioned generic sympathy with hurting people. It was inspired by MT comic #236 and preceeding (the linked comic isn't nearly as powerful if the Miho character hasn't been established properly). When I read this publicly, sometimes a I tell a little "story" to make it go down easier for the audience. Miho, a slight girl who's supposed to be this strong, playfully malevolent character in an online comic becomes "this goth girl I knew in high school; Turned out she had some health problems, and ended up actually passing out in the bathroom one day." Much easier to explain, methinks, than what in the living heck an online comic is. Although I wonder if it makes the poem itself less "true" or something... Poem has been posted to the MegaTokyo Forums, and may or may not be archived on Negatokyo.com (I'm not sure about the archive because I can't get online to check right now). |
Write Withbegan 2001 1220 |
Pen and pencil, feather, finger. Mechanical, maniacal, Write with brushes, that's the trick, Colored pens, Sir-Marks-a-Lot! Keyboards click and put your words A whiteout pen, mistakes will kill, Pencils of all hues and shades, Crayons are my noble friends,   I was in a very silly mood one day, helped in no small part by this silly poetry thread on a messageboard I frequent. That, mixed in with a silly AIM away message that one of my online friends had up at the time, triggered this little outburst of doggerel. It's fun. |
Rainy Day Kimikobegan 2001 1219(finished 2003 0403, egad) | |
A record of the simple passions of a human heart in the rain, to be read to the tune of nothing in particular, save for the sound of a wandering mind and the touch of a cold, gray day from years past.
At ACen 2005 on May 13th I asked Fred to illustrate Rainy Day Kimiko, and so he did. When I started writing this poem it was *supposed* to be a very melancholy piece about Kimiko (of MegaTokyo) wandering the streets of Tokyo on a cold and rainy day, thinking sad and miserable thoughts as she is wont to do. Except... There was this one girl I knew in 7th grade (a really nice girl actually, at least to dorky little me), who grew up too quickly. Family problems, boys, parties, whatever, I never really heard any details. I just sat by her in science and was quiet all the time. Regardless, I *did* get the impression that her life made her rather unhappy and stressed a lot. So one rainy day we're sitting in Science (Mrs. Nowaski's Biology class, if I remember correctly), and she's telling this other girl about how at lunch, she and some friends of hers had just up and forgotten their grown-up pretenses and gone skipping through puddles, and how wonderful that felt. She sounded so relieved. ^_^ That image obviously stuck with me, as this little 7th grade girl kept skipping through my mind whenever I tried to work on this poem ...ph33r the warm fuzzies. Poem was posted to the MegaTokyo forums, and has been archived in at least one place that I didn't even know existed until recently. (Arigatou, though, Count Alpicola!) |
Autumn Eyesbegan 2001 1209 |
Girl in the morning cries, Veils of breath dance forth forlorn, -- Gifts of flowers in the spring, He's my light in this dark land -- Shaken from her reverie, See a final tear fall,   When I wrote this poem I thought I was musing pretty much exclusively from an art day at my favorite webcomic. But the more I thought about it, the more I realized that I've had plenty of experience standing beside other people's graves, both the graves of people I've known and those I haven't, where I could still feel the sadness /dripping/ off of the people I'd gone with. So it turns out there's plenty of me in this poem, to boot. (A bit of background: the girl in the picture is named Pirogoeth. She's a character that Piro, of one of the main characters of the comic, plays in an online game. The comic hasn't yet given much info on Pirogoeth, but she is probably some sort of medieval princess who has been deposed by a war...) This was in fact the first poem I *ever* posted to the MegaTokyo forums (save for some goofy haiku), and has been archived at Negatokyo.com. |
Temporal Burningbegan 2000 0528(very early in the morning, can't sleep) |
In passing, a moment, Even a month, Where she once stood, Near by location, Bittersweet nostalgia The times that drift by,   Miss someone? Something? A particular time, place, or person? Here's a poem for you |
Death or Hopebegan 1999 05 |
A life too hopeless to continue, If only you had known the one, This world, it turns and turns, Your life came crashing to an end, We hope and pray that you remembered, This world, it turns and turns, These lives neither had I touched, My own life I lay to rest, This world, it turns and turns, First close death we ever knew, For while you know the Savior now, This world, it turns and turns,   We had several deaths at my high school in 1999 (the year I graduated) and 2000. This started as a tribute to a girl who committed suicide when I was a senior. Several of my friends knew her. Then another girl died in a car accident the year after I graduated, and several of my friends knew her quite well, too. I realised I had been feeling guilty about not having knowing either of them, being rather quiet, so I added one for myself. Finally, back in the spring of 2000, my sister and I were talking about the death of a close friend that had happened, yeesh, nine years before, the first death of someone who was particularly close to us. So I put one in for her, too. |
A Lunchtime Lovesongbegan sometime 1998 09 -- 1998 12 |
These words may not be serious, Coming over to the table, More precious than a milkshake, Am I worthy of this peach, What can I give to show my love?   A classic at Emmaus Coffehouse (alright, not quite, but they liked it). The the final two lines of the last verse just came to me one day at work, and I thought they were so awsome that I wrote the rest of the poem around them. Surprisingly, it was only sorta written about a particular person. |
Poems Suckbegan sometime 1995 11?? |
Poems really suck, The purpose of this poem, The people that I'm talking to, The theme is pointless poems, For allitteration examples, Someone else, Then I wouldn't, Pointless poems,   To set the stage: a poor, confused 9th grader is walking home through the school's athletic fields, words spinning madly in his head as they are wont to do. His most recent source of angst is the poetry unit that they're doing in English, because of course he /hates/ poetry. I found the following blurb in a text file tucked away in an obscure corner of my hard disk. Presumably it's from a letter I wrote to my great-grandmother in 9th grade (given that the filename was "Poems to Nana.txt"), though I'm not sure if the letter ever got sent. Sigh. Anyway, the blurb: "This next poem needs a little explination. I wrote it to complain about the poetry unit we were doing in English at the time. The stanzas are short parodies of "unintelligable" poems from a poetry project I did in 6th grade, such as "A Bird Came Down The Walk" by Emily Dickenson, and "The Maxims Of Baloo" from "The Jungle Book". See if you can find out which poems are parodied by each stanza. I'll tell you in my next note if you want." I didn't actually remember any of this about the poem until I found that text file. And neither can I figure out just which poems I was parodying, either. ^_^; |